Tuesday, 15 January 2013

Meditations - Reggae Crazy - Anthology 1971 - 1979

Even by Jamaican standards, the Meditations' early career is convoluted, and both Ansel Cridland and Danny Clarke's careers were already well underway before the pair linked up.

The Meditations were one of the earliest vocal trios to follow reggae's trend towards a darker, "dreader" sound in the early '70s; although their first album was released in 1977, they had recorded numerous singles up to that point, and some of the best of those songs are compiled on this album (along with some tracks recorded later). The piercing falsetto singing on "Must Be a First" is reminiscent of the Congos at their best (perhaps owing in part to the distinctive sound of Lee Perry's Black Ark studio, where this song was recorded), and there's an echo of the Mighty Diamonds in the sophisticated harmonies on "Get Left." But "Woman Piabba" draws on calypso traditions to a degree unusual in reggae, while "Play I" employs a drum arrangement (courtesy of Sly Dunbar) that prefigures some of the innovations that would later be heard in U.K. reggae. The album's title track, a tiresome one-chord vamp, is the only clunker on this album. Everything else is strictly killer

 "Reggae Crazy" collects 11 tracks form the albums "Wake Up", "Guidance" and "Message From The Meditations" plus 2 tracks previously unreleased and 2 tracks available on single only.

The Meditations - Reggae Crazy - Anthology 1971 - 1979
(192 kbps, small front cover included)


  1. Download permission denied by uploader?? Try again man - thanx!!

  2. Sorry, rapidshare once more changed their conditions. Hope that it will work now!


  3. YES got it - Thanx for sharing - respect what you do especially with this changing conditions shit every time haha U R the MAN

  4. Indeed you are. Thanks from me too, for this, and everything.

  5. Thanks for the upload. 'Play I' uses a rockers drum pattern, a style which was popular in JA in the late 70s. Sly Dunbar is generally credited with its invention. It was passe in JA within a few years. It's hardly a UK 'innovation'. UK producers like the rockers style because it's the reggae equivalent of 'four-to-the-floor' and goes down well with clubbers accustomed to a constant backbeat -and it's easy to programme.

  6. Did i say rockers? -I meant steppers