Belafonte's follow-up album to "The Midnight Special" is another record stressing the diversity of world music. This time, a small combo accompanies Belafonte on the various tracks, as opposed to the big band approach of his last album.
Several crowd-pleasers were introduced on this album for the first time: the calypso "Zombie Jamboree," awhich soon replaced "Matilda" as Belafonte's epic audience participation song; and the showtune "Try to Remember," from the off-Broadway show "The Fantasticks".
The two highlights on the album are both songs dealing with American folk music. "Betty an' Dupree" is a classic murder ballad in the tradition of "Frankie and Johnny," performed with the intensity the subject matter commands. Country-western composer Merle Travis' "Dark as a Dungeon," a protest song dealing with the dreary, bitter life of the coal miner was inadvertantly recorded during a thunderstorm, giving the song a dose of ominous spontaneity.
Two of Belafonte's proteges from South Africa are also featured: singer Miriam Makeba and jazz trumpeter Hugh Masekela. Some of the ballads are weak when compared to the more dramatic highlights, but still, this is a very satisfying album.
01. Tongue Tie Baby (B.Eaton)
02. Who’s Gonna Be Your Man (Brookes-Minkoff)
03. ‘Long About Now (Hellerman-Minkoff)
04. Bamotsweri (with Miriam Makeba) (Makeba)
05. I’m On My Way To Saturday (Guryan)
06. Betty An’ Dupree (Calabata Leonard De Paur)
07. Summertime Love (Loesser)
08. Lyla, Lyla (Alterman-Zeira)
09. Zombie Jamboree (Mauge Jr)
10. Try To Remember (Schmidt-Jones)
11. Dark As A Dungeon (Travis)
Harry Belafonte - The Many Moods Of Belafonte (1962)
(192 kbps, front cover included)